SILK RIBBON · AVOCADO SKIN · DUSTY PINK

CHF 20.00
Material:

PAY WITH TWINT

We went looking for a particular pink. Not the pink of sugared almonds, nor the loud flush of a peony, but something older. The pink of a rose pressed between the pages of a book.

So we began in the garden, in the last warm weeks of August. Rose petals first, gathered after rain and simmered until the kitchen smelled of jam. Once, the story goes, a rose was hung above the table, and whatever was said beneath it stayed secret. Ours kept their colour to themselves and gave us only a weak tea. Madder root, dug from the end of the bed, ran coral, far too bright. Then dark hollyhocks, and blackberries from the hedge. Each dye bath came close and slipped away, sliding into brown or cooling into lilac.

We found it, in the end, in the kitchen. Avocado skins from breakfast, dark and pebbled, the part usually thrown away. Simmered slowly, they give up their tannins, and the water darkens through rust to the red of mulberries. Lifted out and left to dry, the colour settles into an old, dusty pink. The pink we went looking for.

On the windowsill, the stone from that same breakfast sits in a glass of water. It has split along its middle, and a pale root is feeling its way down. Keep it watered, and one day, years from now, it may flower.

PAY WITH TWINT

We went looking for a particular pink. Not the pink of sugared almonds, nor the loud flush of a peony, but something older. The pink of a rose pressed between the pages of a book.

So we began in the garden, in the last warm weeks of August. Rose petals first, gathered after rain and simmered until the kitchen smelled of jam. Once, the story goes, a rose was hung above the table, and whatever was said beneath it stayed secret. Ours kept their colour to themselves and gave us only a weak tea. Madder root, dug from the end of the bed, ran coral, far too bright. Then dark hollyhocks, and blackberries from the hedge. Each dye bath came close and slipped away, sliding into brown or cooling into lilac.

We found it, in the end, in the kitchen. Avocado skins from breakfast, dark and pebbled, the part usually thrown away. Simmered slowly, they give up their tannins, and the water darkens through rust to the red of mulberries. Lifted out and left to dry, the colour settles into an old, dusty pink. The pink we went looking for.

On the windowsill, the stone from that same breakfast sits in a glass of water. It has split along its middle, and a pale root is feeling its way down. Keep it watered, and one day, years from now, it may flower.

DETAILS

FABRIC

100% Silk


COLOUR

Old, dusty pink


Naturally dyed with avocado skins
Each pot gives a slightly different shade. Small marks and uneven patches are part of the process and make every ribbon one of a kind.

DYE


Around 3cm

WIDTH


LENGTH

Around 2.5m


EDGES

Hand torn, softly frayed


MADE IN

Switzerland


SILK RIBBON · BIRCH BARK · LIGHT PINK
CHF 20.00

PAY WITH TWINT

For a lighter pink, we went north. Into the birch woods, where the trees grow close and pale, and the light comes through the leaves in small, moving pieces.

Birch is among the first trees to return to bare ground. After the ice, after fire, it arrives before almost anything else, and its white bark sends the winter sun back into the sky. In Finland they tell how the old singer Väinämöinen cleared a forest to sow barley, but left a single birch standing, so the birds would have somewhere to rest. An eagle, pleased by this, gave him fire in return.

We walked among them in early spring, when the sap was rising and the catkins hung loose and yellow from the branches. The bark peels on its own here, in curls as thin as paper. White on the outside, marked with small black lines. Turn a curl over, and the underside is a plain, papery tan. Nothing about it hints at pink.

Only warmth brings it out. The bark steeps and simmers for a long time before it gives anything at all, until the whole kitchen smells like a Finnish sauna, of warm wood and birch leaves in the steam. Then the water warms, slowly, to the colour of weak tea, then apricot. Once dry, the silk settles into a light, clear pink, warm at its heart. A colour the birch never shows in the forest.

Long after the pot has cooled, the kitchen still smells faintly of the north. The ribbon lies drying by the window, ready to be tied.

PAIRS WELL WITH

WRAPPING PAPER "THE EVERGREEN TAPESTRY"
CHF 30.00

Introducing The Evergreen Tapestry wrapping paper, a beautiful blend of nature’s charm and classic artistry. Inspired by the rich history of ancient tapestries, this design brings together elements that feel both timeless and modern. Tapestries were once used to decorate castles, tell stories of historical events, and symbolise wealth and power, often commissioned by royalty and hung on the walls of grand halls.

Perfect for the fall and winter seasons, The Evergreen Tapestry lets you own a piece of this storied tradition or bring it with you to the next birthday party, turning every gift into a work of art.

GIFT TAGS
from CHF 10.00

PAY WITH TWINT

For most of human history, birthdays belonged only to kings and saints. Ordinary people were born, grew older, and said nothing particular about it. Most didn't even know their exact date. It wasn't recorded, wasn't kept. It wasn't until the industrial revolution that birth dates began to be written down for everyone. And once written down, they could be celebrated.

The candles came much earlier. In ancient Greece, people brought honey cakes to the temple of Artemis, goddess of the moon, the hunt, and of childbirth itself. The cakes were called amphiphon, meaning shining on both sides. Round like the moon, with candles placed all around the edge. It was not just a wish. It was a thank you. For the birth itself.

We kept the candles. We kept the wishes. We added the gifts. And somewhere along the way, we added the gift tag.

It is the last thing you do. The gift is chosen, wrapped, ribboned. And then you sit down with a small piece of paper and a pen and try to find the right words. Not many. There is no space for many. Just enough to say what you mean, in the handwriting that the other person will recognise before they have even read it.

It arrives first. Before the gift itself. The smallest part of the whole gesture. Written last, read first.