POSTCARD "CROWNED GAZE"

CHF 5.00

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Somewhere between two old worlds, a road is waiting for you.

For this postcard, we found ourselves drawn to an old Norwegian tale, East of the Sun and West of the Moon, where a girl crosses impossible distances to break a spell cast on someone she loves. Marigolds, too, called us in, the flower used across Indian courtyards to mark thresholds and devotion, offered wherever one world meets another. Between these two traditions, one frost bound and windswept, one sun warmed and ceremonial, we found the shape of a single journey.

You cross the courtyard at dawn, when marigolds still hold the night's damp and the plaster walls blush pink under a sky the colour of weak tea. Petals fall from the vines above you, catching in your hair, scattering at your feet like small coins spent on a wish. The road ahead runs through orchards heavy with unripe fruit, then woodsmoke villages where dogs bark once and go quiet, then a coast where the houses wear ochre and rust like old coats against the wind.

You carry little: a loaf wrapped in linen, torn and shared with a stranger at a crossroads shrine who asks for nothing but company. A knife with a bone handle worn soft by other hands, used to cut rope from a gate long fallen shut, its hinges orange with rust. One thing you keep unlit, a stub of candle, pressed into your hand by your mother, who told you, light this only when you are certain, and even then, be careful what falls.

By midday the path climbs through a ruined garden, where vines have pulled half the stones down into the grass and left the rest leaning like old men. At its edge, where a stone face watches from beneath a broken crown, you pause. Its eyes have seen centuries of weather, of flowers offered and forgotten, of travellers who came this way and either turned back or did not. You press a marigold into a crack in the stone, the way travellers do when they mean to return, and for a moment the whole garden seems to hold its breath with you.

If you are reading this, you have already crossed something yourself, a distance, a threshold, a season. Keep the marigolds. You may need them for the way back.

PAY WITH TWINT

Somewhere between two old worlds, a road is waiting for you.

For this postcard, we found ourselves drawn to an old Norwegian tale, East of the Sun and West of the Moon, where a girl crosses impossible distances to break a spell cast on someone she loves. Marigolds, too, called us in, the flower used across Indian courtyards to mark thresholds and devotion, offered wherever one world meets another. Between these two traditions, one frost bound and windswept, one sun warmed and ceremonial, we found the shape of a single journey.

You cross the courtyard at dawn, when marigolds still hold the night's damp and the plaster walls blush pink under a sky the colour of weak tea. Petals fall from the vines above you, catching in your hair, scattering at your feet like small coins spent on a wish. The road ahead runs through orchards heavy with unripe fruit, then woodsmoke villages where dogs bark once and go quiet, then a coast where the houses wear ochre and rust like old coats against the wind.

You carry little: a loaf wrapped in linen, torn and shared with a stranger at a crossroads shrine who asks for nothing but company. A knife with a bone handle worn soft by other hands, used to cut rope from a gate long fallen shut, its hinges orange with rust. One thing you keep unlit, a stub of candle, pressed into your hand by your mother, who told you, light this only when you are certain, and even then, be careful what falls.

By midday the path climbs through a ruined garden, where vines have pulled half the stones down into the grass and left the rest leaning like old men. At its edge, where a stone face watches from beneath a broken crown, you pause. Its eyes have seen centuries of weather, of flowers offered and forgotten, of travellers who came this way and either turned back or did not. You press a marigold into a crack in the stone, the way travellers do when they mean to return, and for a moment the whole garden seems to hold its breath with you.

If you are reading this, you have already crossed something yourself, a distance, a threshold, a season. Keep the marigolds. You may need them for the way back.

DETAILS

SIZE

A6 10.5 x 14.8 cm


BACKSIDE

Blank for your message


PAPER

Soft and uncoated, that welcomes ink and holds it well



MADE IN

The UK

Where the story comes from

“East of the Sun and West of the Moon," a Norwegian folk tale collected by Peter Christen Asbjørnsen and Jørgen Moe, translated by Sir George Webbe Dasent

COTTON-LYOCELL WRAP "THE WHITE STORKS"
CHF 150.00

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Inspired by the 17th-century Indian tempera painting The Attractions of Music, this design reimagines the artwork’s meditative harmony between nature, ornament, and human expression. The white storks, borrowed from the original composition, moving through a dreamlike landscape. The birds act as keepers of stories, drifting silently through ruins, gardens, and fragments of forgotten worlds. Around them, overturned vessels, architectural remnants, celestial diagrams, pearls, fruits, and faded ornamentation appear like relics carried across centuries traces of trade, ritual, celebration, and cultural exchange dissolved into dream.

Influenced by the decorative borders and layered symbolism characteristic of Indian court paintings, the piece blends antiquity with surrealism, creating a floating world where mythology, memory, and nature coexist in delicate equilibrium. A meditation on preservation, ornament, and the poetry of collected fragments.

Made from lyocell, the fabric wrap is exceptionally soft and gentle against the skin. Its generous size allows it to drape beautifully - worn as a wrap, a shawl, or loosely over the shoulders. The fringed edges finish it simply and naturally.

PAIRS WELL WITH

WRAPPING PAPER "A CROWN IN THE STORM"
CHF 30.00

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When Mausolus of Caria died in 350 BC, his wife Artemisia II did not simply mourn him. After his cremation, she mixed his ashes into her daily drinks, making herself into a living tomb, carrying him inside her as she carried on ruling. And rule she did, under enormous pressure. Cities and islands across her domain refused to accept a female successor and revolted. Artemisia wore a crown in the storm, drawing on strategic brilliance to suppress the uprisings and hold her power together until her own death two years later.

The widow's extraordinary grief and turbulent reign have inspired artists for centuries. At the heart of the wrapping paper collage "A Crown in the Storm" is Guido Reni's "Portrait of a Woman" (1638-1639), a Baroque masterpiece depicting Artemisia in a turban, cradling a Lapis Lazuli bowl containing her husband's remains. Her gaze tilts upward, torn between devotion and anguish, and it sets the emotional tone for the entire composition. Around her, further fragments of Baroque portraiture deepen the drama, while glimpses of Paul Sandby's "The River Severn at Shrewsbury" (1770) introduce a sense of turbulent, flowing time. Botanical elements, geometric shapes and layered textures complete the collage, echoing the tension between order and grief that defined Artemisia's reign.

Printed on premium paper designed to survive the unwrapping and be kept, "A Crown in the Storm" gives your gift two layers: what is inside, and the story wrapped around it.Because the way you wrap something says as much as what is inside.

WRAPPING PAPER "THE EVERGREEN TAPESTRY"
CHF 30.00

Introducing The Evergreen Tapestry wrapping paper, a beautiful blend of nature’s charm and classic artistry. Inspired by the rich history of ancient tapestries, this design brings together elements that feel both timeless and modern. Tapestries were once used to decorate castles, tell stories of historical events, and symbolise wealth and power, often commissioned by royalty and hung on the walls of grand halls.

Perfect for the fall and winter seasons, The Evergreen Tapestry lets you own a piece of this storied tradition—or bring it with you to the next birthday party, turning every gift into a work of art.

Set of three rolled sheets
Size A1 / 594 x 841 mm
Size A2 / 420 x 594 mm
Size A3 / 297 x 420 mm

Printed in full color on uncoated offset-paper 100 g/m2 in Germany.